Manchester Metropolitan University

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"It is admittedly a time of experiment. We have to rediscover the best way of doing things - the best tools, the best methods, the best aims." Eric Gill, 1927

This exhibition celebrates the very generous donation by the Society of Wood Engravers (SWE) of their archive to the Manchester Metropolitan University Special Collections. The archive includes material from the Society's foundation in 1920 and traces its development up to the present day.

16th January 2012 - 23rd March 2012

MMU Special Collections Gallery,
3rd Floor,
Sir Kenneth Green Library
http://www.specialcollections.mmu.ac.uk/

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Natural History Museum Video

Chris Wormell on Bewick, wood-block printing and natural history illustration today.

 

Filed under  //  Natural History Museum   Wormell  
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From Teesside Steel to Rural Yorkshire: The Art of Viva Talbot

2 - 30 March.

This exhibition has been developed by Dr Joan Heggie, who has been researching the artist's life for several years and is currently compiling a catalogue of Talbot's work.

Included in this exhibition are the 'Steel Making' prints, probably created in the late 1930s or early 1940s, which illustrate in incredible detail the various process required to make steel.

Other prints reflect Talbot's passion for travel during the 1920s and 30s across Europe and to the West Indies, using the woodblock print as the medium for recording many of the sights she saw when abroad.

Viva Talbot's childhood and marital homes were in Yorkshire and some of the prints on display are of rural scenes and townscapes from around the county she loved.

Viva Talbot (1900-1983) created hundreds of woodblock prints during her lifetime, including the Steel Making series, but is not recognised within the reference books of 20th century British printmakers.

The exhibition will be held in Constantine Gallery, Middlesbrough Tower  full details here: http://www.tees.ac.uk/sections/whats_on/events_details.cfm?event_id=4405

A public lecture about Viva Talbot will also be given by Dr Heggie on 19 March.
Details can be found on the University of Teeside website http://www.tees.ac.uk/sections/staff/events_details.cfm?event_id=4411

(download)

Filed under  //  Heggie   Talbot   University of Teeside  
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Bewick's Memoir, Chapter One

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from an audio recording of Bewick’s Memoir by Bob Browell.

Bewick wrote his Memoir at the age of seventy-five so that his children, and especially his daughter Jane, should come to know more of their family history.

 Bob Browell (1928-2009) was latterly a volunteer at Cherryburn, a lecturer on Thomas Bewick and a talented artist. You can read about his life and times here http://www.bewicksociety.org/cherryburn_times/pdfs/CT%20Summer%202010jk%20ema...

This is the first of eleven passages read from the Memoir which appeared on a cassette tape in the late 1980s.

(download)

Filed under  //  Audio   Browell   Memoir   Mp3  
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Thomas Bewick and Robert Burns

Thomas Bewick illustrated the works of Burns for William Davison and John Catnach of Alnwick.This was a Bewick workshop production. (Iain Bain, Note on Bewick’s Engraving, p265 Memoir) The John Thurston designs were engraved by Henry White. “Many of the tail-pieces were from the hands of Isaac Nicholson and Edward Willis as well as their colleague White” “But they were of the workshop and nothing would have gone out without the check and guidance of its proprietor.”

The editions are numbered TB 2.500A, 500B and 500C by Nigel Tattersfield.

The poetical works of Robert Burns with his life
Vols 1 and 2: Engravings on Wood by Bewick from designs by Thurston. Alnwick, Catnach and Davison in 1808.
The poetical works of Robert Burns with his life
Vols 1 and 2: Engravings and tail pieces illustrating Burns's poems. Published in Alnwick by William Davison in 1808 and 1812

 

Robert Burns visited Newcastle in 1787: you can read about the trip here http://community.newcastle.gov.uk/libraries/wp-content/uploads/2012/01/Robert-Burns-in-Newcastle.pdf


He did not meet Thomas Bewick.
"Sleep at Morpeth, a pleasant enough little town, and on next day to Newcastle. Meet with a very agreeable sensible fellow, a Mr. Chattox, who shows us a great many civilities, and who dines and sups with us." [Burns Letters]

This may have been William Chatto (died 1804) the father of William Andrew Chatto,  [pseud. Stephen Oliver] (1799–1864). Tea-dealer William Andrew became an important historian of wood-engraving. His Treatise on Wood Engraving, Historical and Practical (1839) included 300 illustrations by John Jackson. John Jackson (1801-48) had been an apprentice in the Bewick workshop.

You can read about Bewick's trips to Scotland and his enthusiasm for all things Scottish here http://www.bewicksociety.org/cherryburn_times/pdfs/CT%20Summer%202009%20NV-email.pdf

(download)

Filed under  //  Burns   Chatto   Jackson   Nicholson   White   Willis  
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A woodengraver on Bewick

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Blogger Larry Thompson of Merrickville, Ontario, Canada writes about the challenges of wood engraving in the manner of Thomas Bewick.
http://greyweathers.wordpress.com/2012/01/08/wood-engraving-for-tintern-abbey...

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Society of Wood Engravers 74th Annual Exhibition

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27 January 2012 - 9 February 2012

The Society exists to promote wood engraving. It is the principal organisation and rallying point for those interested in the subject; it also maintains a lively interest in other forms of relief printmaking. Essentially, it is an artists' exhibiting society. There are aroundseventy members, practising artists who have been elected or invited to membership on merit.

Illustration: Miriam Macgregor, Thorn in August, wood engraving, £100 unframed

Bankside Gallery, Open daily from 11am - 6pm during exhibitions  Admission Free
48 Hopton Street, London, SE1 9JH
020 7928 7521
http://banksidegallery.com/viewexhibition.aspx?exhibitionid=44

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Thomas Bewick, engraving the world, 12th March 2012.

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A lecture at the University of Cambridge.
"Thomas Bewick, engraving the world"
Jenny Uglow
Monday 12 March 2012, 13:00
-14:15
Seminar Room 1, Department of History and Philosophy of Science.

If you have a question about this talk, please contact Sophie Waring.

This talk is part of the Cabinet of Natural History series.

This HPS research seminar is concerned with all aspects of the history of natural history and the field and environmental sciences. The regular programme of papers and discussions takes place over lunch on Mondays. In addition, the Cabinet organises a beginning-of-year fungus hunt and occasional expeditions to sites of historical and natural historical interest, and holds an end-of-year garden party.

Seminars are held on Mondays at 1pm in Seminar Room 1, Department of History and Philosophy of Science. You are welcome to bring your lunch with you. Organised by Sophie Waring.

http://talks.cam.ac.uk/show/index/5769

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Attention Wood Engravers

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Call for Entries: Wood Engravers' Network 2012 Juried Exhibition.

The Wood Engravers’ Network is excited to host its first juried exhibition of relief engraving. Bringing wood engraving to a broader audience to promote and encourage a passion for the tradition and contemporary experimentation of relief engraving.

CALL FOR ENTRIES
The Wood Engravers’ Network seeks prints to be included in a Relief Engraving exhibition. The exhibition will debut at Asheville BookWorks and tour nationally. Venues and dates will be announced as they are scheduled.

ELIGIBILITY
Eligible works need to be primarily relief engraving. Relief engraving can include any engraving on wood, plastic, Corian®, Resingrave® – any material – as long as it is printed in relief.

ENTRY FEE
A non-returnable entry fee of $30 USD for current Wood Engravers’ Network members.
A non-returnable entry fee of $40 USD for all other entries.

Entry fees cover the submission of up to 3 images.
Entries and fees must be received by March 2, 2012.

http://www.woodengravers.net/WENExhibitCall2012.pdf

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Bewick in Wuthering Heights

Yet another Bronte film asks the question of how much Thomas Bewick there is in it. 
Andrea Arnold’s bleak film, with its tremendous cinematography of moorland and primitive farmhouse is certainly of Bewick’s day, but how much of the girl Emily Bronte’s early love, which arose from copying Bewick vignettes, comes out in the film? 
One repeated and horrifying incident suggests there is something, when first Heathcliffe and then the Earnshaw child casually hang dogs- not a happy reflection!
(Peter Osborne)

IMDb page http://www.imdb.com/title/tt1181614/
Reviews http://www.guardian.co.uk/film/movie/142867/wuthering-heights

(download)

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